Musician's Phrasebook

Perfect Intervals (4th, 5th)

Harmony & Theory Beginner

Fourths, fifths, octaves and unisons get called “perfect” instead of major or minor. It's an inherited name, not a compliment — these intervals are identical in major and minor keys, so there's no second version to tell apart.

Why it matters

It's why a power chord fits over almost anything: root plus perfect fifth, with no third in it, so it commits to neither major nor minor. “Perfect” here means neutral, not better.

Used in a sentence

“Just play fifths under the vocal — it'll sit fine either way.”

Digging deeper

Unisons, fourths, fifths and octaves get called “perfect” rather than major or minor. It is an inherited name, not a grade — these intervals are identical in major and minor keys, so unlike thirds and sixths there is no second version of them to distinguish.

Common questions

Why does a power chord sound neither happy nor sad?

Because it's a root and a perfect fifth with no third in it. The third is the note that decides major or minor, so leaving it out lets the chord sit over either — which is exactly why rock guitarists lean on it so hard.

Is there such a thing as an imperfect interval?

Not by that name. The intervals that aren't perfect — seconds, thirds, sixths and sevenths — are called major or minor instead, because each of them has a wider and a narrower version.

See it on the fretboard → ← Back to the full glossary

New to this? Start beyond tabs →